a5c7b9f00b A virulent and unprecedented pandemic of global proportions which turns humans into rabid flesh-eating zombies takes the world by surprise. Under these circumstances, the retired United Nations special agent, Gerry Lane, must leave behind a peaceful family life, a wife, and two daughters, to escort a team of scientists on a mission to find a cure, navigating through zombie-swarmed cities. However,the deadly pathogen obliterates entire areas, incessantly giving birth to diseased masses of freshly-reanimated undead, the frail hope of finding a viable solution starts drifting away. Does humanity have enough time to wait for a miracle?
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies. After barely escaping the chaos, Lane is persuaded to go on a mission to investigate this disease. What follows is a perilous trek around the world where Lane must brave horrific dangers and long odds to find answers before human civilization falls.
Saw this last night I'm a great fan of Sci-Fi and disaster movies, and had high expectations for this film.<br/><br/>The first 45 mins were brilliant. Great suspense and drama and really felt for the plight of the characters.<br/><br/>After that, the film degenerated into a chase around the world(!). The purpose of trying to find patient zero, was merely usedan excuse to show one action/disaster scene after another, and the plot line became thinner and less plausible with every passing second.<br/><br/>The last half hour was so predictable and boring I should have just curled up and gone to sleep.<br/><br/>Andfor the ending, it had the typical spongy, gooey happy ending that so clearly appeals to American audiences.<br/><br/>I'm afraid the plot line is the same old garbage Hollywood has been putting out for the past 10 years - major event, chase scene, action scene, implausible chase scene, stupid happy ending.<br/><br/>This started out looking like an intelligent film - but was really no deeper than the likes of 2012 and The Day After Tomorrow.<br/><br/>28 days is a far superior film.
So much negativity about World War Z that I was afraid almost to go watch it but I had to watch it because it's all about the hype of nowadays, Zombies. What I really can understand is the difficulty to categorize this flick. I just should file it under post apocalyptic, not a straight horror.<br/><br/>To call it a horror it should be scary or for a zombie flick maybe even gory but none of that is here to find. We have seen it all before, flicks with major names trying to make a horror but failing in the fact that people who are used to see the big names dropping the flick because it's so-called horror. That's what happened here, Pitt buffs never went to watch it because the zombie theme and horror geeks are into The Walking Dead nowadays full of gore and here we don't have any (no gore and brutality off-camera) so they discard this flick too. <br/><br/>Not that it was bad after all, but a lot of zombies are done CGI wise. The quickness of the zombies and the cleverness (climbing over a wall) do makes it a bit creepy but the scene's in dark alleys never makes it scary. Still, post apocalyptic lovers will adore this. It's a nice start for a zombie evening, to watch with the whole family before the children go to sleep and you are plugging in the real stuff. <br/><br/>Gore 0/5 Nudity 0/5 Effects 4/5 Story 4/5 Comedy 0/5
What we get is a collection of moderately violent action set-pieces untroubled by humour or broader coherence.
A fast-moving, unidentifiable virus whips around the world, turning people into bloodthirsty zombies, bringing the world to the brink of ruin. Retired United Nations agent Gerry Lane (<a href="/name/nm0000093/">Brad Pitt</a>) gets the job of piecing together what happened and where it started. World War Z is also a 2006 novel by American author Max Brooks. The novel was loosely adapted for the movie by American screenwriters Matthew Michael Carnahan, Drew Goddard, Damon Lindelof, and J. Michael Straczynski. However, except for the zombies (and the movie changed even them, making them fast rather than slow and shambling like the book), there is little that the book and movie have in common. It's confirmed through several conversations in the film that the zombies are dead. The virus works by killing the person within a short range of time (we see 10 seconds, though other characters point out that some took days to turn), then reanimating the dead body. In addition the word "zombie" is used repeatedly in the film. The difference between the zombies in the film and in the book is their speed. In the film, the zombies lurch, run, climb, jump, etc. In the book, the zombies are the traditional shambling zombies. In the film, nobody knows where the origin of the infectious outbreak started, so it remains a mystery to the audience. It is suggested that the origin was in India. In the book and in a deleted scene, it is suggested that the origin was in China. That scene had to be cut to avoid the risk of the film being banned in the People's Republic of China. Perhaps due to an online comic called "Zeke is Hungry", which deals about a man-turned-zombie, who nevertheless leads a normal life (if possible) with friends and family. It's likely due to the word "zombie" beginning with the letter "Z". The common phonetic spelling for the letter "Z" is "Zulu" but the soldiers may have altered it to "Zeke" to avoid confusion should they need to use the official letter. American soldiers during the Vietnam war referred to the Vietcong"V.C." or phonetically"Victor Charlie" (often shortened to simply "Charlie") so that was likely the soldier's intention. Also during the Vietnam War and subsequent wars the distance of one kilometer is referred toa "click". As seen in many movies and videogames, shots in the body of a zombie only slow them down, and headshots kill them. Captain Speke mentions this way of killing zombies but he also says that they tend to burn zombies if they get the chance,an effective way of killing the undead. Though the book and movie diverge with regards to certain details, one thing clear in both presentations is the fact that, before it was perceiveda global crisis in need of a unified response, individual countries dealt with the zombie outbreak with their own national self-interesta priority. Various elements of the World Health Organization would have likely experienced pressure/coercion of some type from numerous global factions trying to take advantage of the situation. Before Gerry regained consciousness and revealed who he is working for, the only source of information available to the WHO doctors was a soldier (injured but armed) from one of the few remaining places (Israel) known to have some success holding off the zombie plague without completely succumbingthe rest of the world did. An emissary from those in a desperate situation, accompanied by an armed escort who has managed to travel half way around the world when being out in the open is a virtual death sentence, is unlikely to have pleasant intentions. So, it is reasonable for the WHO personnel to be suspicious. The movie's protagonist, Gerry, remembers a couple of key moments when he was fleeing with his family and when he was behind the wall in Jerusalem: In Newark, New Jersey, he glimpsed a drunken homeless man laying on the street whom the infected did not attack. In Israel, he saw a frail old man whom the infected did not attack, and minutes later observed from a distance a bald and emaciated teenage boy whom the infected did not attack and even ran around. What Gerry correctly theorizes is that those individuals were stricken with some sort of serious or fatal illness (e.g., cancer, heart disease, liver or kidney disease ) themselves and were not desirable victims for infected people; the infected were somehow able to detect the illnesses in them. The story's epilogue explains how the plague was finally turned in humanity's favor: a vaccine was developed from samples of viruses and distributed to the world's population. Other countries like Russia fought back with military force (with its soldiers and militia injected with the vaccine) and were able to halt the pandemic within their own borders. Released in a PG-13 version theatrically, director Marc Foster implied early that a prolonged version was in the works. This version, an Unrated Director's Cut and named accordingly, can now be found on several home video releases and contains almost seven minutes of additional footage, mostly scenes depicting more violence or suspenseful moments.
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